Wednesday, October 29, 2008

Brotherly UN-Love

Firstly the good news, FasterLouder
published my review of Jenny Lewis' Acid Tongue, which i nearly included in last week's post, so i didn't double up. Check it out here Now the bad news....

Oh how my last post now seems very ironic (my own publisher).

For those of you who are regular readers, you may have noticed that my 'Brothers in Bands' playlist and post has disappeared. This was not I, oh no.
It seems, like many modern bloggers, i've been hit with the Digital Millenium Copyright Act (DMCA), which basically means artists and record companies have the right to challenge ISPs (like Blogger which this site belongs to) with 'takedown' notices - which gives the ISP a loophole to take down the infringing post before any legal action is needed.

Now i don't mind that artists don't want their music sampled, i TOTALLY understand this, which is why i have clearly stated in my bio (up in the top- right there) a little notice saying 'hey, if you don't like it, let me know and i'll get rid of it'. Simple.

The problem being that i got an e-mail about one of these 'takedowns' saying that the infringing post had been removed ALONG WITH THE GODDAMN DRAFT. So all my hours (I'm waging 4 or 5) of hard work are gone.
The post contained 22 links to songs, and i have no idea and no indication as to which is the upset party, but it doesn't matter - i can't repost with the offending links removed because the draft has been obliterated. In other words, they've infringed my writing in return by deleting it.

Not fair and very, very annoying.

So i'm going to just put up the playlist - sans links - so there is some semblance of my efforts, but it's simply not the same now is it? There's some controversy surrounding the use of the DMCA and how it relates to budding music writers like me, to find out more head to Who The Bloody Hell Are They? a great Aussie music post who had a similar experience.

Brothers In Bands Playlist (The Censored Version)
Here's the list without the original imagery and witty commentary
  1. Allman: Allman Brothers Band - Melissa
  2. Cester: Jet - Rollover DJ
  3. Curtis: Secret Machines - Sad And Lonely
  4. Everly: The Everly Brothers - All I Have To Do Is Dream
  5. Finn: Split Enz - Message To My Girl
  6. Finn: Crowded House - Weather With You
  7. Followill: Kings Of Leon - Only By The Night
  8. Gallagher: Oasis - The Masterplan
  9. Gibb: The Bee Gees - Spicks & Specks
  10. Gower: Cog - Resonate
  11. Greenwood: Radiohead - Weird Fishes/Arpeggi
  12. Hanson: Hanson - MMM Bop
  13. Hartnoll: Orbital - Illuminate (feat. Step-Brother David Gray)
  14. Hawkins: The Darkness - One Way Ticket...
  15. Hume: Evermore - It's Too Late
  16. Jarman: The Cribs - I've Tried Everything
  17. Johnston: Biffy Clyro - Living's A Problem Because Everything Dies
  18. Kirkwood: Meat Puppets - Plateau
  19. Pope: The Get Up Kids - Holiday
  20. Reid: The Jesus & Mary Chain - Just Like Honey
  21. White: The Electric Soft Parade - If That's The Case, Then I Don't Know
  22. Wilson: The Beach Boys - God Only Knows
  23. Young: AC/DC - Rock 'N' Roll Train
Was i victim of my own design? should the DMCA be refurbished?
If you have any thoughts on the matter, please leave a comment.

Thursday, October 16, 2008

My Own Publisher

Well as i've mentioned, i previously signed on to FasterLouder and started writing album reviews straight away, but either for them being busy - taking a long time to process or my work not being good enough.... so i'll let you decide.

Here's some stuff i submitted thus far, brand spankingly fresh album reviews:

Cold War Kids – Loyalty To Loyalty

Loyalty To Loyalty’s accompanying making-of DVD, uniquely, contains interviews with the band members’ parents – who mostly surmise that the group’s debut was an experimental album to find their footing, and that in so many words that this, their second, is their ‘make or break’ album.

Why the pressure? Well Cold War Kids managed to storm the blogosphere with their idiosyncratic songs about, well, Robbers & Cowards (their debut album) which along with a captivating and energetic live show catapulted them into the limelight. That their second album should be a strengthening of their position as a leading indie band is as much a point of pride as it is of purpose.

The opening of Against Privacy addresses these issues with a kind of call-to-arms manifesto “forget ex-girlfriends/we want little governments/we tell stories/we want to get you to join in.” It’s an excellent microcosm of Cold War Kids’ original appeal, slightly political attitudes bolstered to music that’s at times experimental, sparse and surprisingly cathartic. At the same time however, it highlights some of the problems of Loyalty To Loyalty, beginning with the fact that they’ve forgotten to “tell stories” sometimes.

The narrative drive of their first album, exemplified by Passing The Hat, We Used To Vacation and Hospital Beds has only survived to album two in the form of Golden Gate Jumpers: a wistful look at suicide jumpers against a jaunty ragtime piano. This isn’t to say that the album should follow the same formulas of Robbers & Cowards, their sharp lyrical sense remains – even if it’s not always story driven. Such as on Dreams Old Men Dream’s informed ruminations, “thought I was laying in my garden with my hands deep in soil/but I was there on an island shooting flares at your boat/thought I was soothing like a violin confessing new rain/but I was piping like a trumpet frantic for fame.”

Musically however these anthemic aspirations don’t add up, while sometimes the sparse, rhythmic backdrops offer an intriguing juxtaposition, more often that not they leave a jarring disparity between the music and lyrics as they do on Every Man I Fall For. Still, abandon was a characteristic of their first album too, featuring Nathan Willett’s bluesy howl, the four piece’s style of unhinged indie rock always sounded like a band flirting with the edges of control, but here it seems at times as if they’ve tipped the scales. Cuts such as Avalanche In B and On The Night My Love Broke Through seem to favour avant-garde free form, in the style of Tom Waits, without the musical reward, that instantly kill any momentum tighter tracks, such as Something Is Not Right With Me or I’ve Seen Enough, have built up.

Perhaps it’s a case of quality control, while Loyalty To Loyalty is merely a track more than their debut, it seems to lose pace towards the middle and could’ve really benefited from a lean, effective set list if it had sacrificed it’s more indulgent moments.

Or perhaps it’s just a demonstration for the speed at which bands are forced to evolve in today’s industry, demonstrating as much ambition in two years’ break as older bands had to demonstrate in a decade.

Make no mistake though, when Cold War Kids still hit it, they really hit it, and they still sound quite unlike their contemporaries, but it seems that by putting so much pressure on themselves, conscious or not, they’ve lost sight of some of what made the group so special in the first place.

mp3: Against Privacy
Something Is Not Right With Me
I've Seen Enough


Augie March – Watch Me Disappear.

Following after their most direct and successful effort thus far, 2006’s Moo, You Bloody Choir, comes album number four Watch Me Disappear. Recorded at Neil Finn’s Roundhead studios, it finds the Melbourne five-piece shouldering their popular acceptance comfortably and defying expectations precisely by not rebelling against them. Delivering a taut eleven track set, compared to the average fifteen track forebears, of similarly polished songs.

Their creeping towards mainstream acceptance was a major coup considering Augie March’s most obvious characteristic: Glenn Richards’ old-world poetry. Which had sometimes been a barrier to enjoying their rich musical joys for most and while ‘retro’ is too fashionable a term to describe it, there is something decidedly nostalgic in his literary technique, this isn’t to say however, that Augie March are trapped in the past.

The Dylanesque beauty of One Crowded Hour found Richards lamenting the loss of potential love against a backdrop of “nonsense bars with their nowhere music” armed with his tools of poetic cadence. A brilliant damaged anthem, and a nation agreed as the song captured the top spot in Triple J’s Hottest 100.

This lyrical style hasn’t dwindled a jot, who else but Augie March could turn “Out of the mouth of a black dog/out of the terrors of 3 am/out of the dark and whispering fen/I was blind then I could see/now I’m blind again” into a upbeat sing-a-long as they do on lead single Pennywhistle?

Elsewhere the album carries an undercurrent of sorrow, apathy and even murder balladry but winningly cloaked in beautifully crafted songs and crisp production. Adam Donovan’s guitars and Kiernan Box’s keyboards add a lush layer to the sound, while Edmondo Ammendola and David Williams are the perfectly balanced rhythm section to the lush harmonies and rich arrangements at work.

Highlights include the cool ambience of Dogsday, a raucous bash called The Glenorchy Bunyip (how very Australian) and a spiritual successor to Bottle Baby, recorded by Richards in an apartment in Hobart, The Slant. The only misstep can be pinned on City Of Rescue’s failed attempt to wed a driving rhythm with reverberating textures and a garbled chorus, and even then it’s an interesting experiment none the less.

As the cathartic epic The Devil In Me closes the album, the lasting impression has to be Richards’ words, returning to the mind with the excellent accompanying melodies and phrasing in tow, as rewarding as they are challenging.

While we might question, ‘what are these songs about?’ it doesn’t really matter. Augie March speak more to the ability of a dense map of words, along with music, to dazzle and mystify. It’s not about unravelling what the rustic imagery is meant to convey, but about the beauty of the object. Like the album title might suggest, disappearing behind the majesty of the words. The irony of course, is that Watch Me Disappear will only push Augie March ever higher into the ranks of the great Australian bands.

mp3: Watch Me Disappear

Myspace Album Sampler


Reminds me of the good ol' days of AMR's beginnings a bit of cutting-edge indie with some homegrown rock. By the way if you're a regular reader of these humble posts, feel free to give us a shout via the comments - if you've got some suggestions for future posts or merely want to rag on me - please do.

Until we meet again...

Thursday, October 9, 2008

Fourteen days of music

Well it's been nearly more than a week without a post, which got me thinking...

For your enjoyment: another themed playlist.written in the style of diary entries that hopefully match the musical mood, now if you're a personal friend, don't freak out - this is purely fictional (or is it?).

TWO WEEKS WITH MY STEREO

The Bangles - Manic Monday
Uggggh back to Uni today, not really looking foward to getting up at 7am for the first time in two weeks.
The Rolling Stones - Ruby Tuesday
A nice sunny day today, it seems spring is forecasting the summer with high temperatures and erratic coldness.
Eskimo Joe - Ruby Wednesday (Video)
Do some writing on the blog only to use a song, typically an Aussie band, that is IMPOSSIBLE to find an mp3 link for. Have to settle for crappy YouTube vid instead.

David Bowie - Thursday's Child
Another day at work, unusually quiet, feeling slightly melancholy but looking forward to the weekend.
The Darkness - Friday Night
Oh boy, time to rock, but so many options in my budding, narcissistic social life.
De La Soul - A Roller Skating Jam Named: Saturdays
Who doesn't love the weekend, should i play it cool with some close friends or try a night out on the town?
Bloc Party - Sunday
Hangoverville, population: me. Still, with a whole day to recover, things aren't all that bad (or maybe that's the post-weekend euphoria?)
New Order - Blue Monday
Uggggh, how come this dreadful day comes around so quickly? That weekend euphoria has been replaced with depressed, angry blues.
Counting Crows - On A Tuesday In Amsterdam Long Ago (Video)
So many things to do in order to grow up, feeling nostalgic again. Well the day is only as long as it feels.
Tori Amos - Wednesday
It takes good friends to make you realise that a lot of the time you're just caught up in your own thoughts, and really your troubles aren't that huge, perspective is humbling.
The Chameleons - Thursday's Child
Ahhh the creative juices are flowing again, another productive rehearsal, and the weekend around the corner.
The Cure - Friday, I'm In Love
Going shopping today, there's nothing better than listening to a great song in the car, driving down the freeway, with the windows down. Presents for that special someone.
The Blue Nile - Saturday Night
Occasionally life can catch you off guard, particularly when you though what was going to be a boring party turns out to be an awesome one. If only things were always these great.
Jimmy Eat World - On A Sunday
Not hungover, great, a spare day to make use of. I can either choose to waste it relaxing, or really get productive - ah the power. And so the cycle begins soon again.

There we have it, now okay, i know what you're thinking - in doing songs about days of the week I've missed out some obvious choices. Who knows, maybe I'll have time to cover the rest in the near future?

On a seperate note - i recently got accepted as a contributor to all things music website Faster, Louder.com.au, so hopefully you'll start seeing some of my reviews and such up on there.

Friday, October 3, 2008

Past, Present and Future tense

Decided to give you all a bit of a history lesson through the use of a chronological listing of excellent tunes.

1492 - Counting Crows
  • A leap year
  • Christopher Columbus arrives in America
  • Adam Duritz writes song that opens Saturday Nights & Sunday Mornings


1921 - The Who
  • Warren G. Harding is inaugrated as the 29th president of the USA.
  • The death penalty is abolished in Sweden
  • The united states officially declares the end of World War I
  • A composition from The Who's rock opera Tommy
1945 - Social Distortion
  • The beginning of the 'information age'
  • World War II ends but not before...
  • The atom bomb is dropped on Hiroshima
  • Social Distortion song about the same event


1963 - New Order
  • The Beatles release their debut album Please, Please Me
  • The Roman Catholic church accepts cremation as a funeral practice
  • JFK is assassinated
  • A track in which Bernard Sumner warns 'Jonny' about various weapons
1969 - Iggy Pop & The Stooges
  • Man lands on the moon
  • Woodstock is held in upstate New York
  • Monty Python's Flying Circus debuts on British television
  • Iggy Pop gets all 'rood' sentimental with the stooges


1972 - Josh Rouse
  • The Olympic Games are held in Munich, Germany
  • Gough Whitlam becomes Prime Minister
  • ATARI is established by Nolan Bushell
  • Singer-songwriter Josh Rouse is born and dedicates an album (and song) to his birthdate
1979 - Smashing Pumpkins
  • Jazz legend Charles Mingus dies
  • China registers 1 billion people as its population
  • The first British nudist beach opens
  • Billy Corgan penned look at nostalgia and teenage freedom
1980 - Estelle
  • Star Wars Episode V: The Empire Strikes Back is released
  • Conor Oberst of Bright Eyes fame is born
  • CNN is officially launched
  • UK R&B starlet's song about her youth
1984 - David Bowie
Advanced Australia Fair becomes the new national anthem
Band Aid release the song Do They Know It's Christmas?
The year in which your humble writer was born
David Bowie's track inspired by the George Orwell book of the same name

1991 - Crystal Castles
  • Nirvana release classic album Nevermind
  • Start of the Gulf War
  • Collapse of the Soviet Union
  • fuzzy 8-bit electronica from hip duo Crystal Castles
1999 - Prince
  • Year of the Rabbit in the Chinese Zodiac
  • the debut of Napster
  • The millenium dome opens in London
  • The purple one's dizzying funk about the end of the world
2080 - Yeasayer
  • Beginning of the fourth world war
  • Google controls 70% of the Intergalactic Earth Colony's revenue
  • Albert Einstein is cloned for the second time
  • Yeasayer's whistful anthem about the vagaries of time
My we've come a long way haven't we?

Thursday, September 25, 2008

Where For Art Thou?

Historically the first 'hidden track' on a record is commonly attributed to The Beatles' sound collage at the end of Sgt. Pepper's. It was unlisted on the album titles and the effect was that it would loop forever as the needle hit the groove in the record, an effect unfortunately lost in its CD replica. Still it marks an important point in recorded music culture - the secret track.

Some artists turn their nose up at the idea, why hide something from your audience? While others have transformed it into a curious art. Still other 'secret tracks' have become famous in their own right - it's a little known fact that The Clash's Train in Vain (Stand By Me) was only a 'hidden track' due to time constraints in the printing of the tracklist.

Whatever the reason for their hidden or secret status (musical diversions, excessive swearing, humourous turns), now is the time to turn the spotlight on these musical oddities.

(a quick note, a lot of these were hard to find links to - so you'll find a lot of bad YouTube visuals, i suggest you play the song and point your browser elsewhere. Otherwise, enjoy)


Nirvana - Nameless, Endless
Tucked away at the end of Nevermind was this squall of distortion and nonsense lyrics whose title fits wonderfully. In fact it was actually removed from some U.S. pressings of the CD, contesting it would harm the marketability of the album - whatever, nevermind.

The Eels - Mr E's Beautiful Blues
This was actually the lead single for the band's third studio album Daisies of The Galaxy and of course confused many fans when it wasn't printed on the tracklist, a situation rectified by later pressings. The song also has more than a passing resemblance to The Rolling Stones' Get Off Of My Cloud.

Everclear - Hating You For Christmas
Found at the end of So Much For The Afterglow, a poppy - if embittered - blast an ex over the holiday season. Cue tinkling with Jingle Bells and Art Alexakis' wry vocal "thanks for the christmas card"

The Beatles - Her Majesty
The pioneers of the hidden track offer a very short acoustic ditty tacked on to The End which in many cases is actually listed on the tracklist, but no matter it's John Lennon captured at a lovingly humorous moment.

Manic Street Preachers - Working Class Hero
Rounding out the Mancs' latest comeback album Send Away The Tigers was this earnest cover of the Lennon classic. All the requisite vitriol are in place and it perfectly suits the Welsh group's firebrand of class heroics and guitar rebellion.

Placebo
These British gloom-mongers got a lot of mileage out of the whole secret track shtick, maintaining the trend across their first three albums (represented here). It was a slight disappointment to some (this writer included), when they did not continue the tradition with their later studio work.

Travis
Scottish act Travis first hidden track was on their blockbuster The Man Who... album and the rockier Blue Flashing Light became a live favourite while Some Sad Song rounds out the twelfth memory of the album 12 Memories considering there are only 11 songs listed.

Lauryn Hill
The ex-Fugee first lady of hip-hop offered greedily secreted two hidden tracks on her 1998 debut. Tell Him is serviceable but the real treat is the cover of Frankie Valli's classic ode, demonstrating Hill's excellent layered vocals and emotive voice to full effect.

Coldplay
The last of our prolific hidden trackers, considering the band's world dominating popularity, these songs probably aren't that secret. The first a short coda to Everything's Not Lost from 2000's Parachutes. The latter cut 'Til Kingdom Come off of 2005's X&Y, was actually written for American legend Johnny Cash who unfortunately passed away before he was offered the piece. Interesting to note that for the band's latest album, there are hidden tracks all over the place, not just at the end of the album.


The Superjesus - Everybody Calls Me Lonely
Here represents the case for track for why tracks should not be hidden, its puzzling why such a great rock cut would be sequestered at the end of Jet Age, when it clearly should be pushed higher up the track listing before people lost interest. Particularly when said track is not a departure lyrically or musically from the rest of the record.

Tool - Maynard's Dick
Ah, the joke song, an ode to frontman Maynard James Keenan's appendage and a very silly song that appears at the end of box set Salival.

Bloc Party - Every Time Is The Last Time
It's as lovely as it is short, an almost needless instrumental at the end of the Japanese print of Silent Alarm. Perhaps it was to fulfill the obligation that Japanese CDs require a bonus track that ensures their nation is lured away from buying Western pressings, in which case it's only a little extra incentive.

and now some tracks i just couldn't find clips of, consider these the 'secret tracks' of this post...

Damien Rice - Prague/Silent Night
Taking a leaf from Lauryn Hill, Rice's debut O had two secret tracks, one of them a cover.

Cold War Kids - Sermon Vs. The Gospel
A dusty demo at the end of debut album Robbers & Cowards.

The Cat Empire - 1001
An epic jam that may or may not be about the demise of a tram inspector

They Might Be Giants - Planet of the Apes, Return to the Planet of the Apes, Conquest of the Planet of the Apes, Escape from the Planet of the Apes, Battle for the Planet of the Apes, Beneath the Planet of the Apes, This Ape's for You
Yes, you read that right, at the conclusion of the live album Severe Tire Damage, the two Johns perform a song in ode to every 'Apes' film conceived in chaotic live improvisation fashion. It's to be heard to be believed, and in some cases - best left hidden.

Wednesday, September 17, 2008

...by any other name, would smell just as sweet

I've been known to make people mixtapes for their birthday, and today's post is no exception, it's just that since it's such a tidily themed playlist that i should share it with everyone. Regardless, to its original intendee, a very Happy Birthday Ms. Girdwood.
Rose - A Musical Playlist
Seal - Kiss From A Rose
Edith Piaf - La Vie En Rose
Outkast - Roses
Poison - Every Rose Has Its Thorns
Bon Jovi - Bed of Roses
Matmos - Roses & Teeth
A Perfect Circle - Rose
Kanye West - Roses
St. Germain - Rose Rouge
Ben Harper - Roses From My Friends
Bette Midler - The Rose

Instead of doing my usual track-by-track breakdown, i thought i'd just talk about them all in retrospect. Firstly i couldn't pass up the immediacy of Seal's Kiss From A Rose, it's one of those hits (funnily enough from Batman Forever) that everyone of my generation seems to know the words to regardless, it was was that all-pervasive.

Considering the theme, Ms. Piaf's warbling was the first thing that came to mind as did some 80's power ballads which come in the form of Poison and Bon Jovi. Hip Hop seems to have a floral mindset too, as evidenced by the appearance of Outkast and Kanye West. While A Perfect Circle and Matmos lend the compilation some edge with some atmospheric rock and avant-garde experimentalism respectively. Finally a bit of acid jazz to lead into Ben Harper's soulful acoustic guitar before the soppy ending we all know we love to hate and hate to love, The Rose.


Ahhh a quickie but a goodie, i've noticed that the hits have gone up considerably since i bothered to add a counter - so i thank you for taking the time to join me here at The Rant and i hope you continue to do so in the future.


Friday, September 5, 2008

Foxes and Feems

The keen-eyed amongst you may have noticed that there's been a distinct lack of album reviews round these parts for some time, including those on The Scene, well unfortunately dear readers, that's because they're shutting down. So until i find some new sources to inundate with my reviews, they'll have to temporarily find placement here....

Fleet Foxes – Fleet Foxes (SubPop, 2008, Alt-Country/Folk)

With only a single EP to their name, Fleet Foxes’ self-titled debut certainly made quite the splash with the American music press. Garnering the kind of critical praise that hasn’t been seen since, well, The Arcade Fire comes to mind; but even in an industry that’s quick to hype ‘the next big thing,’ it’s not often that a debut album is called “a landmark in American music” with such unanimous praise (as The Guardian did).

The quintet’s sound, with its warm acoustic textures and precise vocal harmonies, is easy to like, but just because a record is easy to listen doesn’t guarantee its greatness. Only startling musicianship or innovation will do that, and Fleet Foxes aren’t bankrupt in either.

Hailing from Seattle, the quintet’s sound is as far flung from that town’s main musical export of grunge, as one can get. It’s sunny harmonies evoking classic artists such as Crosby, Stills, Nash & Young or The Beach Boys, while the dusty Americana is reminiscent of recent revivalists such as Band of Horses. Frontman Robin Peckold’s croon recalls another national staple, that of Jim James of My Morning Jacket. Fleet Foxes don’t necessarily trump all of the above, but offer a seamless cohesion of these influences while evoking some sort of renaissance fair with its almost baroque instrumentation and old-world production.

The folky round of White Winter Hymnal and Blue Ridge Mountains makes it sound easy, while the forlorn Tiger Mountain Peasant Song highlights the enduring power of a voice and guitar to create the sound of loneliness and haunting timelessness that underpin the record. It’s the aural equivalent of dusting off a grimy stain glass window to let cracks of sunlight shine through and illuminate the colours therein.

In just forty minutes we have a musical landscape that stretches beyond the boundaries of its simple musical setting, the music can either wash over the listener in swathing brushstrokes such as on He Doesn’t Know Why, which follows with Heard Them Stirring which, like much of the album, rewards intimate listening with rich musical grain.

Whether the group survive past the hyperbole and transcend their obvious references remains to be seen, but for the time-being it’s as good a record as any to deserve the weighty mantle of American album of the year. Even if that year isn’t necessarily 2008, perhaps ‘best re-issue of an imagined lost album from 1972’ would be more fitting. Either way it’s a gratifying form of nostalgia in today’s cutting edge music industry.

4 out of 5

And it's Fleet Foxes' White Winter Hymnal that leads us to another themed playlist, forget Vivaldi, it's Al's Music Rant's own seasonal playlist:

The Seasons' Cycle

Winter

Fleet Foxes - White Winter Hymnal

Kickstarting our is the aforementioned 'folky round' as warming as winter can be chilly, and sometimes a good old song is the best defense against the frost and snow.

Manic Street Preachers - Winterlovers

From the Manic's recent return-to-form Send Away The Tigers another sort of rebellion, this time the shouty, anthemic guitar with arena-sized guitars. 'NA NA NA!'

Dragonforce - Inside The Winterstorm

You might think i'm joking, but while the lyrics are nonsense, the ballady breakdown between the videogame guitar solos actually features pianos and great melodies. Otherwise it's Guitar Hero-baiting histrionics as usual

Sufjan Stevens - Sister Winter

Such a brilliant build-up; it starts all chilly and echoey like a man resigned to being frozen alive until a shift halfway which is like seeing the brightest neon christmas lights just over the hill - complete with carol singers

Spring

Of Montreal - Our Spring Is Sweet Not Fleeting

Ironic in this short instrumental ends up being as fleeting as it is sweet - all sixty seconds of it

Augie March - Men Who Follow Spring The Planet 'Round

You can always rely on Glenn Richards for some old-world poetry about unrequited love and accompanying music that's suitably rustic

The Bravery - Rites of Spring

Named after Stravinsky's brilliant ballet, and to be honest i'd have preffered that than some Killers lite rock, but its a whole 40 minutes long - so this slice of emo-disco will have to suffice.

Architecture In Helsinki - Spring 2008

Seeing out Spring is another short but sweet instrumental, from the childlike strains of Australia's indie darlings.

Summer

Bryan Adams - Summer of '69

Ahhh, Summer, my favourite season. In fact i have a whole four disc series of compilations called Summer Driving - and i needed a song that captured that euphoric feeling - and what better way than nostalgia and fist-pumping sing-a-long all in one?

Queens Of The Stone Age - Feel Good Hit Of The Summer

An anthem of another kind, quite the juxtaposition, no? Cue primitive chant of "Nicotine, Valium, Vaccadin, Marijuana, Ecstacy & Alcohol." Repeat till blacking out.

Death Cab For Cutie - Summer Skin

Good ol' DCFC seem to have a mood for every occasion, but do none better than yearning melancholy. Plus not many songs capture their subjects so quickly and beautifully as this does, "Squeaky swings and tall grass"

Joni Mitchell - The Hissing of Summer Lawns

This song always reminds me of heat haze, that effect you get when the heat is so intense on the road. Regardless, it's actually a song about the trappings and isolation of L.A. - trust Joni to give it some genius

Autumn

Brian Eno - Dunwich Beach, Autumn 1960

A highlight of Eno's extended Ambient period. A drawn-out instrumental that seems to epitomise the term 'autumnal.'

The Vines - Autumn Shade

When The Vines weren't channeling Nirvana via The Beatles, they made some lovely psychedelic-tinged balladry and this is a great example from their never-bettered debut, Highly Evolved.

The Flaming Lips - My Cosmic Autumn Rebellion

Speaking of psychedlia... Complete with bird chirping and treated guitar and synth, this is a rumination on the seasons' passing, death and "the one bird that didn't leave you." Churlish elements that combined make for quite a touching song.

Pelican - Autumn into Summer

A sprawling ten and a half minute instrumental from the progressive rock come post-metal come post-rock four-piece. Whatever your genre-bending fancy, this is an epic piece that rises from atmospheric opening to an explosive finale

And Finally...

XTC - Season's Cycle

The song that gave this compilation it's title and the parent album Skylarking is easily the best concept album about the four seasons ever written. If this compilation didn't do it for you, it definitely will.

stay tuned for more music goodness.