Showing posts with label triple j. Show all posts
Showing posts with label triple j. Show all posts

Saturday, May 5, 2012

Reviews: Mystery Jets - Radlands, Patrick Watson - Adventures In Your Own Backyard

The following album reviews originally appeared in print for triple j magazine's April Issue (no. 60), 
 Mystery Jets - Radlands (Rough Trade)
Radlands was recorded in Austin, TX and Mystery Jets want you to know it. From a song called 'Lonestar' (obviously) to the lilting blue-eyed country of 'Roses'; the sonic influence of Americana has rubbed off on their considerable knack for penning smart pop.
Broadening their approach and ambition, there’s choirs on 'Sister Everett', glam somp for 'Saviour' and the buzzing Britannia allusions of 'Greatest Hits'.
It may be their most inconsistent set to date, but it’s all the more interesting for it.
Mystery Jets - "Sister Everett" by forcefieldpr
Patrick Watson - Adventures In Your Own Backyard (Domino)
Little has progressed in the musical world of the Canadian singer/songwriter, but that’s no bad thing. Despite recording exclusively in his Montreal apartment, his third LP possesses his typically sweeping musical elegance.
His uniquely haunting falsetto populating intimate chamber hymnals (The Quiet Crowd) and lush arrangements alike (Lighthouse). There’s a cinematic quality too, from the Sufjan Stevens-meets-Ennio Morricone of the title track to the closing instrumental, 'Swimming Pools', sounding like a Donnie Darko migrant. In a word: beautifully evocative.
Patrick Watson - Into Giants by DominoRecordCo

Sunday, April 29, 2012

"We didn't have to push anything really..." Interview: The Rubens

This interview was originally conducted for, and published by, Tone Deaf. It's reproduced here in its entirety.
‘It’s a long way to the top if you wanna rock ‘n’ roll’ sang the legendary Bon Scott. Nobody, it seems, told The Rubens.

That or they’re harbouring the most well-kept shortcut to fever-pitch exposure in Australian music history. Their story is a PR man’s dream, the fabled rise of three brothers and their childhood friend raised in the isolated town of Menangle, NSW. They knock out a raw slice of bedroom soul which captures the attention and adulation of national youth radio, cue calls from internationally renowned producers, a label bidding frenzy and pending fame.

Sunday, March 25, 2012

Review: Grimes - Visions, My Best Fiend - In Ghostlike Fading

The following album reviews originally appeared in print for triple j magazine's March Issue (no. 59), they are reproduced here in their entirety. Featuring previous 'Introducing...' inductee Grimes and Brooklyn's My Best Fiend.
Grimes - Visions (Inertia/4AD)
After two records that mix the unexplored with the atmospheric, performance artist/DIY muso Claire Boucher emerges from Montreal’s underground with her first release for 4AD. As informed by Enya as by Aphex Twin, the bizarre futurism of Oblivion and Vowels=space and time finds crystalline vocals gliding over a beatific underbelly, while the ninety seconds of Eight contains an album’s worth of ideas. Visions possesses more stimulating sounds than songs, but it’s bound to inspire cult fandom – if not hailed a sleeper hit
Grimes - Genesis

My Best Fiend - In Ghostlike Fading (Warp/Inertia)
The cloud-bursting sleeve and atmospheric title merely hint at what the contents confirms, a Brooklyn band revelling in a pre-MGMT mode of bluesy psychedelia. Cracking Eggs and the swooning Jesus Christ follow the blueprint laid out by Spiritualized’s narcotic excursions; slow-mo tempos and see-sawing chords that swell into crashing, gospel-abetted, seven-minute grandiosity. Their aloof simmer, and vocalist Fred Coldwell’s twang, can occasionally drive to distraction, but at their best – such as on the spacey Pink Floyd lilt of ODVIP – they’re a folkadelic trip.

Friday, February 3, 2012

San Cisco & The Jungle Giants - Live @ East Brunswick Club, Feb 2

Kicking off the month that will be the East Brunswick Club’s last (*sniff*), was the double-heading Politely Awkward gig, a triple j presented tour of two of Unearthed’s most promising emerging acts. Namely Brisbane’s The Jungle Giants and Perth’s San Cisco. Supporting, suitably, was hometown act Buckley Ward.

Not the solo work of a mopey songwriter, but in fact a five-piece band, they quickly found their comfort zone with the lazy momentum of
So Pretend then thumping along to the easy atmospheric bob of Into The Darkening Blue. The young audience, a sea of plaid shirts and top-knotted hair buns, conceded a gentle sway but were more content to chat. The tail-end of the set found some jostling for a better position near the front, mainly beer-toting fans with more enthusiasm than manners. It’s a young, hip crowd – but what else could you expect from three acts who are as young themselves, both age and career-wise.

Friday, December 16, 2011

2011 End-of-Year Celebrations: The Good, The Bad & The James Blunt Awards

The moment the true AMR fan waits all year for, it's the 5th Annual GB&JB ceremony. As is usual with this kind of list there's some serious awards for artistic achievements and some serious satire for the contrary, there's some old categorical favourites, there's some new ones, and there's a lot to read.
So don your best digital frock or tux, kit up in your best musical acumen, 'cause it's time to toast to 2011.
BEST ALBUM TITLE
  Spank Rock - Everything Is Boring and Everyone Is A Fucking Liar
Not particularly clever, granted, but you have to admit the electro-rap duo have some balls to brand their sophomore effort with such a bold name. It does sound a bit like the tantrum of an underpreciated indie outfit, but you have to give props for its humour; plus I like imagining their label trying to convice them to change or soften the title. Shame then that the F bomb got censored, nevertheless it says a lot about the shallowing of today's industry, even if its with the bluntest of words.
Runners Up: British Sea Power - Valhalla Dancehall
Grouplove - Never Trust A Happy Song

Tuesday, December 6, 2011

Review: TV On The Radio - Nine Types of Light

Another review from triple j magazine, this time the lead review on TVOTR's fourth LP

TV On The Radio - Nine Types of Light (Interscope)
Has it really been three years since the all-conquering urgency of DearScience? Its contents championed by the blogosphere, beloved by purveyors of intelligent music and in turn built substantial anticipation for its follow-up. During that down-time, side-projects emerged to sate the faithful that – although serviceable – couldn’t hide what they were: fragmented parts of a greater whole. In particular, multi-intstrumentalist/production linchpin Dave Sitek’s Maximum Balloon, which sounded like TVOTR only with a turnstile of guest vocalists.
It’s with relief and open arms then, that after Tunde Adebimpe’s leisurely half-spoken opening on Second Song, that the Brooklynites instinctively click into a spirited pulse encouraged by Kyp Malone’s wiry guitars and some dishy horns.

Album review dump

Here's a lil' collection of some of the short 'n' sweets that graced the reviews pages of triple j magazine over the course of the year, have a nibble.

Richard In Your Mind - Sun (Rice Is Nice)
Following swiftly on from the acid-washed playground of last year's My Volcano, our nation’s very own underground Flaming Lips (is that an oxymoron?) deliver their third set of kaleidoscopic pop. Sounding less daring, but more confident, Sun delivers a set of hazy tunes threaded with a borderline-obsession with the titular gas giant. Cuts like Mountainhead, lead single Vision and the ironically cheery She Took The Sun Away trade their sample-based brand of organised chaos for mellower moods without sacrificing the psychedelic pop saturation that defines their appeal.

Friday, August 26, 2011

I Heard The News Today, Oh Boy

  • Fronting headlines is some very exciting news from triple j, who are taking the plunge into digital radio with a brand new station dedicated entirely to new Australian music. Taking triple j Unearthed to the airwaves streaming fresh, unsigned bands 24hrs a day, seven days a week on the digital radio band. Though their launch event last night was gracefully short and to the point, it was confirmed the station will go live from Wed 5 Oct with simulataneous live events running across five capital cities around the nation. This is obviously a huge milestone in the station's career, and I for one am very, very excited. You can watch some lovely videos and get more info at the triple j website (via triple j)