Showing posts with label Fleet Foxes. Show all posts
Showing posts with label Fleet Foxes. Show all posts

Friday, January 6, 2012

2011 End-of-Year Celebrations: TOP 20 ALBUMS OF 2011 (Part 2)

10. TV On The Radio - Nine Types of Light
For all the art-rock gusto surrounding discussions of TV on the Radio, they seem to obfuscate that they can be a powerfully direct band and their fourth LP is perhaps their most approachable. Its message is simple: in the face of a fucked-up world at the end of its frayed tether, it’s important to take stock in what matters. Chiefly: love. That artsy title might not get to the heart of the matter, but the likes of You, Will Do and, most explicitly, Your Heart make it clear “With the world all falling apart/I’m gonna keep your heart.”
Where the Brooklynites’ honed their brand of horn-abetted art-funk on predecessor Dear, Science, they’ve slowed down for a contemplative set that sounds more comforting without damaging their rich scenery. The twin falsettos of Tunde Adibempe and Kyp Malone voice both alliterated poetry (Second Song) and inner-city mistrust (No Future Shock), with Dave Sitek’s adept production continuing to colour their rich sound with painterly detail. Most impressively on the record’s refined centrepiece, Killer Crane, where glowing piano chords meet slowly inked orchestral washes and metronomic banjo plucking.
It’s not all grace and tenderness, the wiry dance paranoia of Repetition and stomping crunch of Caffeinated Consciousness find the dancefloor beneath the emotional debris, but the lingering sentiment is of a band that cares. A feeling made all the more poignant when bassist Gerard Smith lost his fight with lung cancer. In retrospect, it hasn’t defined Nine Types of Light, and those who caught their recent visit to our shores can confirm their live show remains a relatively undiminished unit of funkified exorcism; but his contribution to another innovative, beautifully realised record is a fitting epitaph.

Friday, December 16, 2011

2011 End-of-Year Celebrations: The Good, The Bad & The James Blunt Awards

The moment the true AMR fan waits all year for, it's the 5th Annual GB&JB ceremony. As is usual with this kind of list there's some serious awards for artistic achievements and some serious satire for the contrary, there's some old categorical favourites, there's some new ones, and there's a lot to read.
So don your best digital frock or tux, kit up in your best musical acumen, 'cause it's time to toast to 2011.
BEST ALBUM TITLE
  Spank Rock - Everything Is Boring and Everyone Is A Fucking Liar
Not particularly clever, granted, but you have to admit the electro-rap duo have some balls to brand their sophomore effort with such a bold name. It does sound a bit like the tantrum of an underpreciated indie outfit, but you have to give props for its humour; plus I like imagining their label trying to convice them to change or soften the title. Shame then that the F bomb got censored, nevertheless it says a lot about the shallowing of today's industry, even if its with the bluntest of words.
Runners Up: British Sea Power - Valhalla Dancehall
Grouplove - Never Trust A Happy Song

Thursday, December 1, 2011

The A/V Room: December

Video time, and no, don't worry - we're not going to inject your usual dose of quality music videos with some sort of Christmas related nonsense, just all the recent clips that are worth your peepers, and hey, they may just be some of the best this year.
Enjoy:

Fleet Foxes - The Shrine/An Argument (dir: Sean Pecknold)
One of the best tracks from one of the best albums of the year deserves not a good video, but one of the best. Sean (brother of band leader Robin) Pecknold delivers just that, in a beautifully rendered showcase of handcrafted animation with a mysterious, rustic atmosphere and rich, enigmatic characters. The visual matches to the soundtrack are brilliant and the lasting impact is that you've just beared witness to a stunning piece of art. Ladies and gentlemen, perhaps the most artsy video of the year.